I have applied what I have learned in the studio into other genres of photography so that I am adaptable to any demands or opportunities which may arise.
For my current live brief, I am producing images which reflect stages of empire.
I have also learned stop motion photography, which I enjoyed very much. Also, light painting and wire wool photography has become something I do in the winter months when there in little daylight as a way of still getting out with my camera.
The thing I am most impressed with is how I have been able to learn appropriation and creating digital images manipulated out of numerous images. I have learned this through learning how to navigate Adobe Express, Lightroom and Photoshop. I especially enjoy using famous paintings and recontextualizing their meaning.
This ability to adapt and have many different styles of photography to utilize will benefit me in the long-term and make me much more flexible in the market place.
My style of photography. (how I define myself)
Like anybody, I go through phases of being inspired by something, wanting to learn it, achieving learning and moving on to the next project. This might sound "flakey" but this desire to learn new skills will benefit me in the long-term and lead my work to be more varied in its scope and subject matter. In terms of contextual influences, my work is influenced by politics and history. At the moment, I am reflecting this through still life photography and appropriation. I am guessing in the future I will find other way of expressing myself as I progress.
I define myself as a photographer and something of a digital artist who is currently inspired by installation and street art. I enjoy using miniature people and creating indoor and outdoor images which reflect an historical event or my ideological standpoint.
Branding.
The most recent life brief I am engaging in involves me creating a logo and branding myself with a zine.
My logo is quite simple of an aperture ring and my corporation name.
Competitions.
I have engaged with multiple competitions which have included numerous live briefs. I have a stock also of images that I have taken that I have used. I cannot just go off and go for a shoot, as I work long nights that leave me exhausted the next day. I therefore sometimes use images shot weeks ago that fit all aspects of the brief demanded. An example is a brief requested images of spring, I posted these entries.
This I haven't done and I don't wish to just yet. My current job working in social care allows me to spend hours doing my university work while, doing my job and earning money that gets me through this period of transcendence. I will feel more comfortable considering this next year or going on to do a masters. I have a long way to go so I don't want to run before I can crawl.
Social media
This I have done. I have many local and national followers who are on Instagram, Linked In and Facebook.
CV.
Barriers to my ability to get a career in photography.
Simple, not having confidence in myself and comparing myself to others who have been doing photography for years. This can be debilitating and undermine your confidence. The best way around this is dwell instead on where you are now, what you know compared to what you knew a year ago. My age is a bit of a barrier but also an asset. My age means I am dedicated to my work and I am consistent. I also look at my success in other areas of work which I have achieved and how I managed that. Hard work is rewarded-fact.
What motivates me
The thing that motivates me the most is constantly learning and developing. I am not happy unless I am learning new skills or processing facts. The thing which motivates me in photography is being able to be inspired by an image then replicating it in my own style. I also love looking at the finished product of any photograph and feel satisfied.
What approaches and qualities do I bring to me work
I research the topic I am asked to reflect upon to create a image which represents the brief. I see my work as continuously evolves and adapts in scope. I am a hard worker who is diligent in my work and sees things through. My creativity is defined by research and being completely absorbed in any topic.
What am I trying to achieve in my work?
At the moment, my work is trying to achieve a look at different aspects of a period in history through photography. This is done through engaging in research in a particular historical time and trying to reflect this in my images. I also like to add a satirical element to my work which is aimed at politics or the modern world. I am hoping the viewer reflects on the images of mine they have seen and question what it is about.
What matters to me?
Whatever work I am involved in, my reputation is important and doing a good job is important to my reputation. In terms of photography, creating something that the client is happy with and hopefully they then spread my name thus helping my reputation. Therefore, how others see me and my work is important. I have a good reputation in social care with professionals in the council, criminal justice, probation and third sector organizations, I'm certain I can expand this into other fields too.
How I work is interesting. I have worked 6 years as a loan worker and 5 years as a manager with a team of kitchen staff and support workers. This demonstrates I am flexible and can work independently or part of a team. The type of clients I hope to attract are varied. I would give anything a go at the moment as its all practice. I can decide what I don't like and not do it again. However, at the moment, I am open minded.
What characteristics are unique to my practice?
My inspirations are contemporary and historical. This is reflected in my work. Rather then recreating a scene with live models, I prefer to use miniature people to represent history. This reflects how inconsequence we are as a species in the grand scheme of life. Mankind's narcissist tendencies means men elevates himself about even nature. This is preposterous and I try to reflect that in using small people-a similar concept as Slinkachu.
Who is your audience?
Those who share my views of the world and wish to buy my work hopefully. This could be anybody who is political or conscious of social issues.
There is a market for my work as Peter Kennard does very well creating contemporary appropriation for mass consumption. In terms of historical narrative works, I want to create reenactments of lesser known events-not just battles (which is done by others) instead, pivotal events like The Peasants Revolt or The Charteris's taking demands to Parliament. This work has a message and a social conscious.
Is there a client who buys your work?
In researching people who build diorama scenes and people who create model villages, there is a market. This genre is big and companies like Hornby make models for this market. In terms of appropriation, yes. Banksy is an example also of graphic works which is big money in contemporary society.
Why should people buy or hire me?
Because my work is original. Despite appropriation being popular, I.ve not seen any images that I have appropriated with the same contextual narrative I have created. Therefore, my work stands out. All I need to do now is get it noticed.
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